A thread on Reddit features a photograph of a poster advertising the National Gallery of Victoria’s upcoming triennial, an image from Ayoung Kim’s multi-channel video installation, Delivery Dancer’s Arc: Inverse (2024). In the image, a Korean woman is running through a crowded futuristic cityscape in a riding suit and gloves. It is drawn from the video piece about women working as gig-economy delivery drivers in dystopian Seoul besieged by an artificial intelligence that drives them to compete with one another, monitors their labour and skews their sense of time.