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70 years of hard work

Published:Thursday | October 20, 2011 | 12:00 AM
George Carter (right) receives the Order of Distinction in the rank of Commander (CD) from His Excellency Governor General Sir Patrick Allen during the National Honours and Awards ceremony at King's House on Monday. - Ricardo Makyn/Staff Photographer
In this 1964 file photo, a 'youngish' looking George Carter (right) of the Little Theatre Movement escorts the Canadian High Commissioner Graham McInnes to his seat for the opening performance of 'A Midsummer Night's Dream' at Vale Royal. - File
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  • George Carter's CD comes on the back of many years of sweat

KINGSTON, (JIS):

Jack of all trades and master of many fits the description of George Carter, who was honoured for his outstanding service to both theatre and the Credit Union Movement, at the 2011 Honours and Awards Ceremony at King's House, on National Heroes Day.

Carter, who says theatre has been his life and passion and he has no regrets, began in his career in 1931 while at St George's College.

"I worked assiduously behind the scenes for the benefit of the school theatre and the school's arts programmes," he said.

He worked with many famous theatre stalwarts and gained a wealth of knowledge from productions such as, Aladdin, as well as the pantomimes, Cinderella and Beauty and the Beast, in 1947 and 1948, respectively.

After leaving St George's College, he enrolled in several electroplating firms to upgrade his technical skills. He started his own electroplating business during World War II, under the patronage of Father George Blatchford, a scientist who taught at St George's.

His technical abilities were recognised by the Little Theatre Movement (LTM), and he was offered the position as a technical director, debuting as lighting designer in 1954.

Reflecting on his years at the LTM, he said it was the opportunity of a lifetime.

"When I went to the LTM, I went with experience, so I fitted in beautifully. It didn't take long before I was promoted to stage manager, because I had the experience that they were looking for," Carter said.

With more than 70 years of experience in his profession, Carter has demonstrated versatility in several areas of theatre.

"I taught technical theatre at Edna Manley College [of the Visual and Performing Arts], which is my first love. I am also founder of the School of Drama, which was stimulated through the Little Theatre Movement (LTM). The school was later transferred to the Jamaica Cultural Training Centre, currently Edna Manley College for the Visual and Performing Arts, in 1976," he explained with great enthusiasm.

Carter also lectured at the Extra-mural Department, now the Philip Sherlock Centre for the Creative Arts, which falls under the umbrella of the University of the West Indies.

He credits his life's work as a legacy that has benefited thousands of persons, both locally and internationally.

"I am happy that I have made my mark in theatre, and especially in the electroplating business, which I also taught. A lot of students that I have taught are now in big positions," he proudly stated.

Founding member of CUM

Remarkably, Carter was also a founding member of the Credit Union Movement in Jamaica in 1942, through his connection with St George's College. He said the idea surfaced from in-depth research.

"Interviews were done with persons who were involved in the riot, and we found that the cause of the riot was wants: People simply wanted a little more money, and when their requests were not granted it resulted in huge chaos," he explains.

Carter and his colleagues conceded that the Credit Union Movement was the appropriate mechanism to meet the needs of low-income Jamaicans. Since it was started by the Bank of Nova Scotia, it has benefited thousands of people and has helped to sustain growth in the economy.

Even in retirement, Carter still plays an integral role in theatre by advising youngsters at Edna Manley College, Little Theatre, and other organisations.

"Whatever aspect of the theatre one chooses to pursue a career in, there is opportunity for them, both locally and internationally," said Carter.

He is looking forward to writing two books, to complete his life's work: One reflecting on the Credit Union Movement in the Caribbean, and the other on technical theatre.

On his national recognition, he says he wasn't surprised when he heard that he was selected to receive an award.

"It is a tremendous feeling, and it makes me feel appreciated, that what I have done has been recognised and has also made history," he expressed.

Carter firmly believes that Jamaican theatre will go on forever, and encourages young Jamaicans to study hard, and strive to perform to the best of their ability.